Browse Items (49 total)

These black and white illustrations, appearing as the frontispiece and title page vignette to volume 2 of the 1853 James Nisbet "Author's Edition" reprint, depicts the ox cart and a ship at sea. The frontispiece depicts depicts Ellen riding in the ox cart as Mr. Van Brunt walks alongside the oxen. Mr. Van Brunt holds up a whip as Ellen sits in a chair in the ox cart looking around her. The landscape surrounding the ox cart is bleak as bare trees hang over the path, and the dark sky contrasts the white ground, suggesting cold weather. The bleak landscape seems to suggest Ellen's apprehension upon leaving Thirlwall in the ox cart as Mr. Van Brunt guides her to her Aunt Fortune's house. The title page vignette depicts a large ship on a dark, rough sea. The ship is heading towards the horizon as the sun rises. The pairing of these illustrations compares two modes of travel that appear in the novel, both suggesting a journey to an unfamiliar location.

This black and white illustration, appearing as the frontispiece to the 1853 G. Routledge & Co. reprint, depicts Ellen left alone at the door of the village inn, the “Star” of Thirwall, to meet her aunt. The stagecoach that left Ellen there can be seen driving away, carrying the maid Timmins who had cared for Ellen on her journey. A stranger, later identified as Sam, looms behind Ellen, sweeping the porch of the inn. A number of chickens and ducks wander in the street around Ellen. The caption below the illustration reads, "Ellen left at the door of the Village Inn," referencing the scene on page 81 of the novel, at the end of chapter VIII and the beginning of chapter IX. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing as the frontispiece to the [1891] James Nisbet & Co. "New Edition" reprint, depicts Ellen riding Alice's horse, Sharp, as Alice walks alongside her on their way to Carra-carra. An open valley with several trees and mountains in the distance extends behind them. Ellen rides side-saddle and raises her finger as if she is speaking as Alice looks up at her. Alice's hair extends behind her as if being blown by the wind, establishing a sense of movement in the illustration. This illustration first appeared in the 1853 James Nisbet and Co. "New Edition" (see 77CIA).

This black and white illustration, appearing as the frontispiece to the [1891] James Nisbet & Co. reprint, depicts Ellen riding Alice's horse, Sharp, as Alice walks alongside her on their way to Carra-carra. An open valley with several trees and mountains in the distance extends behind them. Ellen rides side-saddle and raises her finger as if she is speaking as Alice looks up at her. Alice's hair extends behind her as if being blown by the wind, establishing a sense of movement in the illustration. This illustration first appeared in the 1853 James Nisbet and Co. "New Edition" (see 77CIA).

This black and white illustration, appearing as the frontispiece to the [1893] James Nisbet & Co. reprint, depicts Ellen riding Alice's horse, Sharp, as Alice walks alongside her on their way to Carra-carra. An open valley with several trees and mountains in the distance extends behind them. Ellen rides side-saddle and raises her finger as if she is speaking as Alice looks up at her. Alice's hair extends behind her as if being blown by the wind, establishing a sense of movement in the illustration. This illustration first appeared in the 1853 James Nisbet and Co. "New Edition" (see 77CIA).

This black and white illustration, appearing as the frontispiece to the [1896] James Nisbet & Co. reprint, depicts Ellen riding Alice's horse, Sharp, as Alice walks alongside her on their way to Carra-carra. An open valley with several trees and mountains in the distance extends behind them. Ellen rides side-saddle and raises her finger as if she is speaking as Alice looks up at her. Alice's hair extends behind her as if being blown by the wind, establishing a sense of movement in the illustration. This illustration first appeared in the 1853 James Nisbet and Co. "New Edition" (see 77CIA).

This black and white frontispiece is from the 1896 James Nisbet & Co. Reprint. It depicts a scene from page 353, of Ellen meeting Father Swaim out on his horse, receiving a letter from home. The title of illustration says, "A Letter from Home."

This black and white illustration, appearing as the frontispiece to the [1898] A. L. Burt Company "The Home Library" reprint, depicts Alice telling John of her illness. A caption below the illustration quotes a sentence from page 422 and reads, "Alice's head found its old place on her brother's shoulder." In the illustration, Alice and John sit on a bench, Alice resting her head on John's shoulder, and John clasping Alice's hand. A young girl, possibly Ellen, stands behind them, looking out at the hills that extend into the distance behind the pair. Indistinct trees stand around the bench where Alice and John sit, framing the intimate scene.

A black and white frontispiece from the 1899 George Routledge & Sons, Ltd. Reprint. The image depicts Aunt Fortune, brandishing a bean pole, a determined and fierce look on her face, ready to fight off Timothy the bull. Ellen stands behind her, hiding in a bush.

This black and white frontispiece from the 1852 Nelson&Sons Reprint, depicts Nancy standing by some foliage in the Brook. Three oxen graze on the other side, two dark and one white. At the far back of the Brook is a field, that is occupied by a herd of sheep and a scarecrow, and far in the background is a white house.