Browse Items (48 total)

This illustration, appearing on page 10d of the 1888 J.B. Lippincott Co. reprint, depicts Ellen kneeling in front of her mother, who is seated on a couch in the parlour. She is positioned so that we can see the profile of her face, and her expression appears sorrowful, as does her mother's. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "What is the matter, dear mother?" from page 11 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number.

This illustration, appearing on page 152d of Volume One of the 1888 J.B. Lippincott Co. reprint, depicts Ellen balancing carefully on a log that straddles the brook, while Nancy watches her from the other side. Ellen has her arms stretched out for balance, and a look of concentration on her face. Nancy is facing away from us, and is standing on one foot, as she has just finished putting her shoes back on after crossing the brook herself. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "Ellen set out upon her perilous journey," from page 152 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number.

This illustration, appearing on page 236d of Volume One of the 1888 J. B. Lippincott Company reprint, depicts Alice and Ellen walking through the snow storm. Alice is looking away and leaning over to pick up Captain Parry, and Ellen appears to be looking up at the sky with a worried expression on her face. The dark trees and strong wind create an ominous scene. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "In a few minutes he came in sight," from page 237 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number.

This illustration, appearing on page 296d of Volume One of the 1888 J.B. Lippincott Co. reprint, depicts Ellen reading to Grandma in front of the hearth. Grandma has her knitting in her lap but appears to be ignoring it and is instead watching Ellen. Ellen is sitting on a small stool in front of her, leaning over The Bible laying across her lap. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "As soon as she was set free Ellen brought her Bible," from page 297 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number.

This illustration, appearing on page 304 of the 1888 J.B. Lippincott & Co. edition, depicts Mr. Lindsay observing Ellen. A shadowed Mr. Lindsay stands in the doorway to a darkened room, where Ellen is sitting on the floor of the room, resting against the seat of a chair and looking out a window. She wears a pale dress, her fingers are laced on the seat cushion, and her glowing, yet melancholic face is turned towards the incoming light. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "Mr. Lindsey stood still at the door," from page 304 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number. This illustration first appeared on page 544b of the 1892 J. B. Lippincott Co. "New Edition" Reprint (see 9CIA).

This illustration, appearing on page 38d of the second volume of the 1888 J.B. Lippincott & Co. edition, depicts Ellen standing in the greenhouse facing the gardener Mr. Hutchinson, who is holding a bouquet. Ellen is holding a basket and leaning slightly on a raised flower bed. Beneath the illustration, in a cursive script, is the name of the artist, Frederick Dielman, and the line "Ellen watched him as the bunch grew in his hand," from page 38 of the text. At the very bottom of the page, in the same script, is the title of the book along with the volume and page number.