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This black and white illustration appearing on page 560, of the 1896 Hodder and Stoughton Reprint, depicts Ellen reuniting with John in Scotland. In the illustration, Ellen and John are sitting on a sofa. Ellen's white dress is a stark contrast to John's dark suit. Ellen is resting her head on John's shoulder and John resting one of his hands on hers and his arm is around her shoulders. This illustration was first used on page 560 of the 1892 J.B. Lippincott Co. "New Edition" reprint (see 9CIA).

This illustration, appearing as the frontispiece to the 1896 Hodder and Stoughton reprint, depicts Ellen in a flower garden. The caption is a stanza from Henry Wadsworth Longfellow’s 1842 poem “Maidenhood.” There is a reference to page 511, the first page of Chapter XLVIII, during which Ellen and her Uncle Lindsay tour Edinburgh. In addition to being quoted in this caption, Longfellow’s stanza appears as an epigraph to the chapter referenced and to the novel as a whole. The image portrays Ellen within a lily patch, positioned in a demure stance with her head bowed, and emphasizes Ellen’s purity while reinforcing her connection to the divine. The gate in the background refers to Longfellow’s verse and to Biblical “gates of brass,” broken down by an Old Testament God (King James Version, Ps. 107.16 and Isa. 45.2).