Browse Items (42 total)

This black and white illustration from page 467 of the 1896 Hodder and Stoughton Reprint depicts Ellen, Mrs. Forbes, and Mrs. Blockson sitting together in a circle, in front of a window. Ellen sits on the right side next to a table, where her hand hovers over an open book from which she had been reading aloud. Mrs. Forbes wears a white bonnet and a dark gown, and is leaning attentively towards Ellen with folded hands. This illustration first appeared on page 467, of the 1892 J.B. Lippincott "New Edition" (see 9CIA).

This black and white illustration appearing on page 483, of the 1896 Hodder and Stoughton reprint, depicts Ellen tending a garden in Scotland. In the illustration, Ellen stands leaning against a rake, her hand resting on a blooming branch. She looks away distractedly, and is wearing a gingham gown, a dark jacket, and plain straw brim hat. A tall fence stands behind her, blocking any view of the landscape beyond the tended garden. Several gardening pots and a watering can lie on the ground near Ellen's feet. This illustration first appeared on page 483, of the 1892 J. B. Lippincott Company "New Edition" reprint. (See 9CIA)

This black and white illustration appearing on page 528, of the 1896 Hodder and Stoughton Reprint, depicts Ellen sitting slightly removed from a little table and looking outside a very large window over the estate. Her posture is slightly hunched, as if to convey that she is carrying a large, emotional burden. Her expression is wistful as she contemplates and compares her new life with the Lindsay's with her life in America. This illustration first appeared on page 528, of the 1892 J. B. Lippincott Co. "New Edition" Reprint (see 9CIA).

This black and white illustration appearing on page 545, of the 1896 Hodder and Stoughton Reprint, depicts Mr. Lindsay observing Ellen. A shadowed Mr. Lindsay stands in the doorway to a darkened room, where Ellen is sitting on the floor of the room, resting against the seat of a chair and looking out a window. She wears a pale dress, her fingers are laced on the seat cushion, and her glowing, yet melancholic face is turned towards the incoming light. Beneath the illustration is the caption "Mr. Lindsay stood still at the door," and Page 545. This illustration first appeared on page 544b of the 1892 J.B. Lippincott Co. "New Edition," Reprint (see 9CIA).

This black and white illustration appearing on page 560, of the 1896 Hodder and Stoughton Reprint, depicts Ellen reuniting with John in Scotland. In the illustration, Ellen and John are sitting on a sofa. Ellen's white dress is a stark contrast to John's dark suit. Ellen is resting her head on John's shoulder and John resting one of his hands on hers and his arm is around her shoulders. This illustration was first used on page 560 of the 1892 J.B. Lippincott Co. "New Edition" reprint (see 9CIA).

This illustration, appearing as the frontispiece to the 1896 Hodder and Stoughton reprint, depicts Ellen in a flower garden. The caption is a stanza from Henry Wadsworth Longfellow’s 1842 poem “Maidenhood.” There is a reference to page 511, the first page of Chapter XLVIII, during which Ellen and her Uncle Lindsay tour Edinburgh. In addition to being quoted in this caption, Longfellow’s stanza appears as an epigraph to the chapter referenced and to the novel as a whole. The image portrays Ellen within a lily patch, positioned in a demure stance with her head bowed, and emphasizes Ellen’s purity while reinforcing her connection to the divine. The gate in the background refers to Longfellow’s verse and to Biblical “gates of brass,” broken down by an Old Testament God (King James Version, Ps. 107.16 and Isa. 45.2).