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This black and white illustration, appearing on page 546a of the [1893] James Nisbet & Co. reprint, depicts Edinburgh from a distance. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 9WIS). The caption to the image reads "Edinburgh" with a reference to page 546. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the sky. In the front center of the image are tourists gazing upon old Edinburgh.

This 4-color wood engraving, appearing on page 546a of the 1886 James Nisbet "New Edition" Golden Ladder Series reprint, depicts Edinburgh from a distance. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Edinburgh" with a reference to page 546. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the pale, cloudy blue sky. In the front center of the image are tourists gazing upon old Edinburgh.

This black and white illustration appearing on page 545, of the 1896 Hodder and Stoughton Reprint, depicts Mr. Lindsay observing Ellen. A shadowed Mr. Lindsay stands in the doorway to a darkened room, where Ellen is sitting on the floor of the room, resting against the seat of a chair and looking out a window. She wears a pale dress, her fingers are laced on the seat cushion, and her glowing, yet melancholic face is turned towards the incoming light. Beneath the illustration is the caption "Mr. Lindsay stood still at the door," and Page 545. This illustration first appeared on page 544b of the 1892 J.B. Lippincott Co. "New Edition," Reprint (see 9CIA).

This black and white in text illustration appears on page 54 of the [1918] Thomas Nelson & Sons, Ltd. Abridged Reprint, depicts Alice telling Ellen of her illness. In the illustration, Alice is sitting in a chair, resting her hand on the top of Ellen's head as Ellen is leaning against her with her head on Alice's lap.

This black and white illustration on page 53 of the J.B. Lippincott Co. "New Edition" reprint depicts Ellen receiving the birds from the Old Gentleman's Servant. In the illustration, Ellen is holding the birds.

This black and white illustration, appearing on page 52c of volume 2 of the 1853 G. P. Putnam & Company "Deluxe Illustrated Edition" reprint, depicts Ellen in the woods with Mr. Van Brunt. In this illustration, Ellen sits on a rock near a tree, looking up at Mr. Van Brunt, who stands next to her. Mr. Van Brunt, wearing a brimmed hat and striped pants, clutches a walking stick to his chest as he looks down at Ellen. Ellen's hat sits near her feet and the ox cart can be seen in the background between Ellen and Mr. Van Brunt. The forest is dim and the trees appear somewhat twisted, bringing a sense of ominousness to the illustration.

This black and white illustration on page 528, of the 1903 J. B. Lippincott Co. "New Edition" Reprint, depicts Ellen sitting slightly removed from a little table and looking outside a very large window over the estate. Her posture is slightly hunched, as if to convey that she is carrying a large, emotional burden. Her expression is wistful as she contemplates and compares her new life with the Lindsay's with her life in America. This illustration first appeared on page 528, of the 1892 J. B. Lippincott Co. "New Edition" Reprint (see 9CIA).