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This is the second page of back advertisements in volume 1 of the 1852 George P. Putnam 16th Edition, version 1. It includes authors such as Sedgwick and Hawthorne.

This is the first page of the back advertisements in volume 1 of the 1852 George P. Putnam 16th Edition, version 1. The advertisement features Susan Warner's other works, Dickens's Home and Social Philosophy, The World Here and There, and Home Narratives. It also features Comeplete Works, Book of the Hudson, and Conquest of Florida by Irving.

This is the first page of text in volume 1 of the 1852 George P. Putnam 16th Edition, version 1. It features a decorative rule and the last quatrain from Henry Wadsworth Longfellow's poem, "It is Not Always May."

This is the second page of the table of contents for volume 1 of the 1852 George P. Putnam 16th Edition, version 1, displaying chapters XX through XXVIII.

This is the first page of the table of contents for volume 1 of the 1852 George P. Putnam 16th Edition, version 1, displaying chapters I through XIX.

This is the verso of the second front flyleaf of volume 1 of the 1852 George P. Putnam 16th Edition, version 1.

These black and white illustrations, appearing as the frontispiece and title page vignette to volume 1 of the 1853 James Nisbet "Author's Edition" reprint, depicts Mr. Van Brunt tending his flock and Edinburgh. The frontispiece depicts Mr. Van Brunt tending his flock of sheep. Ellen stands among the sheep, looking happily at them as they stand around her. Mr. Van Brunt stands near her, throwing feed to the sheep from a bowl tucked under his arm. A fence extends down the left side of the illustration toward a large mountain in the background, over which looms a billowy cloud. The field where Mr. Van Brunt and Ellen stand is mostly bare except for several trees that stand near the mountain. The title page vignette depicts Edinburgh. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the sky. In the front center of the image are tourists gazing upon old Edinburgh. This pairing of an image depicting the American pastoral ideal and the largest city of Scotland contrasts the developing values of each country.

This 4-color wood engraving, appearing on page 62a of the 1886 James Nisbet & Co. Golden Ladder Series reprint, depicts a ship on a rough sea. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Far From Home" with a reference to page 62. The image depicts a large ship crossing through a rough and foaming sea. However, the ship is heading towards a horizon of softer and brighter colors, representing a hopeful future ahead for the young passenger, Ellen Montgomery.

This color illustration, appearing on page 62a of the 1887 James Nisbet & Co. Golden Ladder Series reprint, depicts a ship on a rough sea. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Far From Home" with a reference to page 62. The image depicts a large ship on a dark, rough sea. The ship is heading towards a bright horizon as the sun appears to be rising.

These black and white illustrations, appearing as the frontispiece and title page vignette to volume 2 of the 1853 James Nisbet "Author's Edition" reprint, depicts the ox cart and a ship at sea. The frontispiece depicts depicts Ellen riding in the ox cart as Mr. Van Brunt walks alongside the oxen. Mr. Van Brunt holds up a whip as Ellen sits in a chair in the ox cart looking around her. The landscape surrounding the ox cart is bleak as bare trees hang over the path, and the dark sky contrasts the white ground, suggesting cold weather. The bleak landscape seems to suggest Ellen's apprehension upon leaving Thirlwall in the ox cart as Mr. Van Brunt guides her to her Aunt Fortune's house. The title page vignette depicts a large ship on a dark, rough sea. The ship is heading towards the horizon as the sun rises. The pairing of these illustrations compares two modes of travel that appear in the novel, both suggesting a journey to an unfamiliar location.