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George Putnam and Co. used this brown, cloth-covered binding for their first illustrated edition of The Wide Wide World, released in 1853. The focus of the back cover is the central theme of the gilt heart encased in a large diamond shape frame. Surrounding this focal point are flowers in each of the four corners.

binding

binding

George Putnam and Co. used this brown, cloth-covered binding for their first illustrated edition of The Wide Wide World, released in 1853. The focus of the cover is the central theme of the gilt heart encased in a large diamond shape frame. Surrounding this focal point are flowers in each of the four corners. The spine is hollow backed and printed in gilt, reading the title and the word ILLUSTRATIONS, all in capital letters.

George Putnam and Co. used this brown, cloth-covered binding for their first illustrated edition of The Wide Wide World, released in 1853. The focus of the cover is the central theme of the gilt heart encased in a large diamond shape frame. Surrounding this focal point are flowers in each of the four corners. The spine is hollow backed and printed in gilt, reading the title and the word ILLUSTRATIONS, all in capital letters.

This is the spine of the 1853 George P. Putnam Illustrated Edition, Vol. 1, Issue 1. The cover is made of brown leather and decorated with gold gilt, reading the book's title and the word "illustrated" all in capital letters.

This is the tail of George Palmer Putnam's 1853 Illustrated Edition of The Wide, Wide World. Note the gold leaf used on the pages.

This black and white illustration, appearing as the frontispiece to the 1853 G. P. Putnam & Company Illustrated Edition reprint, depicts Ellen walking in the woods. In the illustration, Ellen walks along a path through the woods carrying a basket of flowers over her arm. She smiles and pulls her jacket around her as her dress, hair, and hat are blown behind her, suggesting a gusting wind in the illustration. A small house can be seen nestled in the background and a mountain rises up behind it. The scene maintains a sense of openness despite the trees that line the path along the left side of the illustration.