Browse Items (57 total)

This illustration, appearing on page 406a of the [1910] S.W. Partridge & Co., Ltd. edition, depicts Ellen being comforted by her Uncle Lindsay as her aunt, Lady Keith, and her grandmother watch from across the table. A caption below the illustration quotes a sentence from page 407 of the text and reads, "'Come, come, what is the matter Ellen?'" The room where Ellen and her Uncle Lindsay are pictured is very proper with a table strewn with silver tableware, a fireplace, and a large painting hanging on the wall. While Ellen's Uncle Lindsay seems eager to pull Ellen close to him to comfort her, Ellen, although leaning in, also appears to be resisting as she looks almost as though she could be pulling away from him. This ambiguity highlights the developing relationship between the two as Ellen loves her Uncle Lindsay but finds it difficult to conform to the demands he places on her.

This illustration, appearing on page 222a of the [1910] S.W. Partridge & Co., Ltd. edition, depicts Alice, Ellen, and John arriving at the Marshman's. Alice, wrapped in a heavy shawl, is being greeted by Miss Sophia in a formal room while Ellen and John stand behind her, watching the encounter. Through the open door that Alice, Ellen, and John entered through, the back of a sleigh is visible as it sits surrounded by snow. The warmth of the encounter is contrasted with the winter weather outside the home. Below the illustration a caption quotes a sentence from page 223 and reads, "She kissed Alice a great many times, seeming very glad to see her."

This illustration, appearing on page 158a of the S.W. Partridge & Co., Ltd. Edition, depicts Alice and Ellen caught in a snow storm while returning home from Mrs. Vawse's. Alice stands clutching her shawl close to her neck and looking toward a light that has appeared behind a row of pointed branches as Ellen stands next to her pointing toward the light. A caption below the illustration quotes a sentence from page 158 of the text and reads, "Alice waited no longer, but screamed out, 'Who's there?'" This sentence illustrates the emotion felt by both characters in the scene as their fear and uncertainty in the midst of a raging snow storm is heightened by the appearance of a strange light in the distance. An illustration of the snow storm first appeared in the 1853 G. P. Putnam edition (see 11CIA).

This illustration, appearing on page 72a of the [1910] S.W. Partridge & Co., Ltd. edition, depicts Ellen and Mr. Van Brunt riding in the ox cart on the way to Ellen's Aunt Fortune's house. Mr. Van Brunt sits in the front of the cart, holding the reigns and looking at Ellen with a gentle expression as Ellen sits, dressed in her traveling dress and bonnet, in a chair in the back of the cart. Blurred hills and trees appear in the background, and the bow of Ellen's dress appears to be blown by the wind, giving the impression of movement. A caption below the illustration quotes a sentence from page 72 and reads, "I guess this is the first time you ever rid in an ox-cart, ain't it?" This sentence provides an introduction to the dialect spoken by the Dutch Mr. Van Brunt, a rustic dialect that provides a class contrast between Mr. Van Brunt and Ellen. An illustration depicting the ox cart first appeared in the 1853 G. P. Putnam edition (see 11CIA).

This illustration, appearing on page 16a of the [1910] S.W. Partridge & Co., Ltd. edition, depicts Ellen's mother selling her ring in order to buy supplies for Ellen's approaching journey to the Hudson River Valley. Ellen's mother holds out her ring to a man who looks at the piece of jewelry distastefully as Ellen stands next to her mother watching the exchange. A caption below the illustration quotes a sentence from page 17 of the text and reads, "Her first feeling was of dazzled wonderment," and describes Ellen's emotions upon seeing her mother sell her favorite ring. The store room contains a cabinet full of tableware and a glass countertop covering rows of jewelry. Ellen's mother's dress is somewhat ornate and includes a feathered hat and long shawl. Her face looks haggard, emphasizing her illness, and providing contrast to her genteel attire.