Browse Items (45 total)

This black and white illustration, appearing as the frontispiece to the 1853 G. Routledge & Co. reprint, depicts Ellen left alone at the door of the village inn, the “Star” of Thirwall, to meet her aunt. The stagecoach that left Ellen there can be seen driving away, carrying the maid Timmins who had cared for Ellen on her journey. A stranger, later identified as Sam, looms behind Ellen, sweeping the porch of the inn. A number of chickens and ducks wander in the street around Ellen. The caption below the illustration reads, "Ellen left at the door of the Village Inn," referencing the scene on page 81 of the novel, at the end of chapter VIII and the beginning of chapter IX. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing as the title page vignette to the 1853 G. Routledge & Co. reprint, depicts Alice finding Ellen distraught on the Cat's Back. Both Alice and Ellen are framed by the trees and rocks of the scene. A moon overlooks the scene, with the title, lacking a comma, floating above it like clouds. It uses Susan Warner's pseudonym, Elizabeth Wetherell. The name of the publisher appears below the scene in a similar typography. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing on page 118b of the 1853 G. Routledge & Co. reprint, depicts Ellen reaching up towards Nancy, having fallen into the brook after trying to cross it. To represent her purity and innocence, the illustrator drew Ellen wearing a white dress, kneeling, and raising her hands in a prayer-like position. As a foil, Nancy, dressed in black, appears amused at Ellen’s distress, representing wickedness and deceit. A caption below the illustration reads, "Ellen falls into the brook," referencing the scene on page 119 of the novel. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing on page 194c of the 1853 G. Routledge & Co. reprint, depicts Alice and Ellen caught in the snow storm as they attempt to find their way home after leaving Mrs. Vawse's. A caption below the illustration reads, "Lost in the Snow-Storm," referencing the scene from page 194 of the novel. In the illustration, Alice and Ellen stand in the snow staring at an approaching lantern that has come into view. Captain Parry, Alice's cat, rests his head on Alice's shoulder as she shields him from the storm. Bare, twisted trees hang over Alice and Ellen, enhancing the sense of confinement in the illustration. Alice and Ellen's dark cloaks stand out against the white snow around them as they wait for the man holding the lantern to approach. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing on page 274a of the 1853 G. Routledge & Co. reprint, depicts Ellen, Alice, and John about to get on the sleigh that will take them to the Marshman's for Christmas. John is carrying Ellen to put her in the sleigh, with Alice and Margery talking behind them. The sleigh's driver stands waiting in the background. Captain Parry(?) appears prepared to jump into the sleigh, and the horse Prince Charlie is hitched to the sleigh. A caption below the illustration reads, "Starting with the Sleigh," referencing the scene from page 274 of the novel. The trees around the sleigh give a pleasant natural frame to the scene. The name of the illustrator, Dalziel, is inscribed in the lower-left corner of the illustration.

This is the illustration on page 332b of the 1853 G. Routledge and Co. Reprint Depicting the letter carrier's arrival. A caption below the illustration reads, "The Old Newsman," referencing the scene from page 333 of the novel. In the illustration, Ellen watches the approaching letter carrier anxiously, waiting for a letter from her mother, as she stands on a grassy path with her arm around a fence post. The letter carrier emerges from a row of twisted trees on a white horse, carrying a bag of letters. The name of the illustrator, Dalziel, is inscribed in the lower-left corner of the illustration.

This is the illustration on page 372c of the 1853 G. Routledge and Co. Reprint Depicting Mr. Van Brunt's Accident. This black and white illustration depicts Ellen and Mrs. Van Brunt distraught over the prone body of Mr. Van Brunt, who broke his leg after falling through a trapdoor in the barn. A caption below the illustration reads, "Van Brunt's Accident," referencing the scene from page 373 of the novel. A bull(?) can be seen in the background of the barn. The name of the illustrator, Dalziel, is inscribed in the lower-left corner of the illustration.

This is the illustration on page 424a of the 1853 G. Routledge and Co. Reprint Depicting Ellen and John on the Cat's Back. A caption below the illustration reads "John finds Ellen on the Mountain," a reference to the scene after Alice's death appearing on page 424. In the illustration, John stoops down and wraps one arm around Ellen as she stands with her arms around his neck facing away from the viewer. They are surrounded by rocks and tall foliage, which frame their position on the mountain. Ellen's white dress stands out against John's black attire and the dark grey foliage behind them. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This is the full cover of the 1853 G. Routledge and Co. Reprint. The front and back covers are green, and the spine is gold. Both covers have a border and leaves in each corner. The front cover features a gold globe with roses and thorns growing from it. The Wide, Wide World is written around the globe. On the spine, The Wide, Wide World is written in gold above Elizabeth Wetherell. The author's name is followed by a decoration of a lilly, with a hand holding the stem. There is the inscription: BEAR A LILY IN THY HANDS GATES OF BRASS CANNOT WITHSTAND ONE TOUCH OF THAT MAJIC WAND—LONGFELLOW. The entire spine is outlined with a gold border.

This is the front pastedown of the 1853 G. Routledge and Co. Reprint. The numbers 9 and #332 are written in black ink in the middle of this page.