Browse Items (98 total)

This black and white illustration, appearing on page 128b of the [1902] Ward, Lock and Co. Ltd. "Complete Edition" reprint, depicts Alice finding Ellen on the Cat's Back. Ellen sits in the grass, laying across a rock, her hands pressed to her face, as Alice stands above her, leaning her hand against a rock as she looks down gently at Ellen. The outlines of several mountains rise up in the background and a budding branch reaches out over Ellen. A caption below the illustration quotes a sentence from page 129 and reads "Ellen was wrought up to the last pitch of grief," and conveys Ellen's despondency.

This is the illustration on page 424a of the 1853 G. Routledge and Co. Reprint Depicting Ellen and John on the Cat's Back. A caption below the illustration reads "John finds Ellen on the Mountain," a reference to the scene after Alice's death appearing on page 424. In the illustration, John stoops down and wraps one arm around Ellen as she stands with her arms around his neck facing away from the viewer. They are surrounded by rocks and tall foliage, which frame their position on the mountain. Ellen's white dress stands out against John's black attire and the dark grey foliage behind them. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This is the illustration on page 332b of the 1853 G. Routledge and Co. Reprint Depicting the letter carrier's arrival. A caption below the illustration reads, "The Old Newsman," referencing the scene from page 333 of the novel. In the illustration, Ellen watches the approaching letter carrier anxiously, waiting for a letter from her mother, as she stands on a grassy path with her arm around a fence post. The letter carrier emerges from a row of twisted trees on a white horse, carrying a bag of letters. The name of the illustrator, Dalziel, is inscribed in the lower-left corner of the illustration.

This black and white illustration, appearing on page 194c of the 1853 G. Routledge & Co. reprint, depicts Alice and Ellen caught in the snow storm as they attempt to find their way home after leaving Mrs. Vawse's. A caption below the illustration reads, "Lost in the Snow-Storm," referencing the scene from page 194 of the novel. In the illustration, Alice and Ellen stand in the snow staring at an approaching lantern that has come into view. Captain Parry, Alice's cat, rests his head on Alice's shoulder as she shields him from the storm. Bare, twisted trees hang over Alice and Ellen, enhancing the sense of confinement in the illustration. Alice and Ellen's dark cloaks stand out against the white snow around them as they wait for the man holding the lantern to approach. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This black and white illustration, appearing on page 118b of the 1853 G. Routledge & Co. reprint, depicts Ellen reaching up towards Nancy, having fallen into the brook after trying to cross it. To represent her purity and innocence, the illustrator drew Ellen wearing a white dress, kneeling, and raising her hands in a prayer-like position. As a foil, Nancy, dressed in black, appears amused at Ellen’s distress, representing wickedness and deceit. A caption below the illustration reads, "Ellen falls into the brook," referencing the scene on page 119 of the novel. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

This illustration, appearing on page 98b of the [1899] George Routledge and Sons reprint, depicts Ellen attempting to wash at a spout behind her Aunt Fortune's home. Ellen leans over a trough, unsuccessfully attempting to catch water in her hands. A barn stands behind Ellen as several white birds circle above it, and her bright red dress stands out against the lush green hills and trees that extend into the background behind her. A caption below the illustration quotes a passage from page 90 reads, "'But what shall I do without a basin?' thought Ellen; 'I can't catch any water in my hands, it runs too fast.'" Ellen's obvious discomfort in nature is highlighted by her failed attempt to catch the water, but the openness of the hills behind her suggests an opportunity for discovery. An image of the spout first appeared in volume 1 of the 1853 George Palmer Putnam Edition (see 11CIA).

This black and white illustration, appearing on page 88a of volume 2 of the 1853 James Nisbet and Co. "New Edition" reprint, depicts Ellen and The Brownie. Ellen stands next to her horse, The Brownie, her hand on his mane, as she feeds him a handful of grass. The Brownie leans his head down to take the grass from her. The pair stand in an open field as a row of trees extends into the background of the illustration. The foreground is lined with several small ferns and flowers.

This black and white illustration, appearing as the frontispiece to volume 1 of the 1853 James Nisbet and Co. "New Edition" reprint, depicts Ellen and Nancy at the brook. Ellen sits next to the water with her hands in her lap as Nancy stands behind Ellen looking down at her. A line of trees extends across the background of the illustration and several bushes surround Ellen and Nancy. The stillness of the two girls is contrasted by the movement of the water in the foreground of the illustration.

This 4-color wood engraving, appearing on page 546a of the 1886 James Nisbet "New Edition" Golden Ladder Series reprint, depicts Edinburgh from a distance. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Edinburgh" with a reference to page 546. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the pale, cloudy blue sky. In the front center of the image are tourists gazing upon old Edinburgh.

This 4-color wood engraving, appearing on page 118a of the 1886 James Nisbet & Co. Golden Ladder Series reprint, depicts Ellen and Nancy at the brook. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "The Charmed Spot" with a reference to page 118. The image depicts Ellen sitting thoughtfully beside a brook, while Nancy stands behind her, wearing a sullen expression. Ellen is dressed in a clean apron and wrapped in a red shawl, whereas Nancy stands in a rather dingy and wrinkled dress. This further illustrates the fundamental difference between Ellen's purity and gentleness, and Nancy's rough-and-tumble ways.