Browse Items (3304 total)

This black and white illustration, appearing as the title page vignette to the 1869 J. B. Lippincott & Co. "New Edition" reprint, depicts a ship on a rough sea. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The image depicts a large ship on a dark, rough sea. The ship is heading towards the horizon as the sun rises.

This is the title page vignette to the 1853 T. Nelson and Sons Reprint Depicting Ellen preparing to mount the Brownie. A caption below the illustration quotes a sentence from page 11 and reads, "Looking round sometimes, as if to make sure that it was herself, and giving a little kind of satisfied neigh when he saw that it was." In the illustration, Ellen stands on a tree stump, wearing a straw hat and apron, and grabs The Brownie's reigns as she prepares to mount him. A dog sits in front of The Brownie looking up at Ellen. The right side of the illustration is framed by foliage while an open field extends into the background of the left side of the illustration.

This black and white illustration, appearing as the title page vignette to the 1853 T. Nelson and Sons reprint, depicts Ellen preparing to mount The Brownie. A caption below the illustration quotes a sentence from page 11 and reads, "Looking round sometimes, as if to make sure that it was herself, and giving a little kind of satisfied neigh when he saw that it was," and conveys the closeness of Ellen and her horse. In the illustration, Ellen stands on a tree stump, wearing a straw hat and apron, and grabs The Brownie's reigns as she prepares to mount him. A dog sits in front of The Brownie looking up at Ellen. The right side of the illustration is framed by foliage while an open field extends into the background of the left side of the illustration.

This is the title page vignette to the 1853 G. Routledge and Co. Reprint Depicting Alice telling Ellen of her illness. In this black and white illustration, The Wide, Wide World by Elizabeth Wetherall is written inside a moon on the top third of the page. Ellen is lying on the ground, crying into her arm. Alice stands reaching for her, with a Bible? in her hand. They are surrounded by flowers and bushes. George Routledge & Co. Farringdon Street London. follows the illustration.

This black and white illustration, appearing as the title page vignette to the 1852 T. Nelson & Sons reprint, depicts Ellen riding The Brownie. A caption below the illustration quotes a passage from page 481 of the novel. In the illustration, Ellen sits atop The Brownie as he leaps into the air. Both Ellen and The Brownie look back as if at the viewer of the illustration as they ride in the opposite direction along a path flanked by foliage. A small figure can be seen on the left side of the image in the background, as well as a small white structure that emerges from the top of the tree line. The sense of movement invoked by the position of The Brownie is contrasted by the stillness of the landscape that extends behind Ellen.

This black and white title vignette is from the 1852 Nelson&sons Reprint. It depicts Ellen ridding the Brownie through a country road, surrounded by trees and rocks, looking behind her as she rides.

This title page vignette is from the 1879 Milner & Sowerby Reprint. A black and white image Depicting a letter carrier searching through his letter satchel, as Ellen looks up at him. He carries a horse whip between his arm on one side and a bugel on the other.

This black and white illustration, appearing as the title page vignette to the 1853 G. Routledge & Co. reprint, depicts Alice finding Ellen distraught on the Cat's Back. Both Alice and Ellen are framed by the trees and rocks of the scene. A moon overlooks the scene, with the title, lacking a comma, floating above it like clouds. It uses Susan Warner's pseudonym, Elizabeth Wetherell. The name of the publisher appears below the scene in a similar typography. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.