Browse Items (49 total)

This black and white illustration, appearing as the frontispiece to the 1853 G. Routledge & Co. reprint, depicts Ellen left alone at the door of the village inn, the “Star” of Thirwall, to meet her aunt. The stagecoach that left Ellen there can be seen driving away, carrying the maid Timmins who had cared for Ellen on her journey. A stranger, later identified as Sam, looms behind Ellen, sweeping the porch of the inn. A number of chickens and ducks wander in the street around Ellen. The caption below the illustration reads, "Ellen left at the door of the Village Inn," referencing the scene on page 81 of the novel, at the end of chapter VIII and the beginning of chapter IX. The name of the illustrator, Dalziel, is inscribed in the lower-right corner of the illustration.

A black and white frontispiece from the 1899 George Routledge & Sons, Ltd. Reprint. The image depicts Aunt Fortune, brandishing a bean pole, a determined and fierce look on her face, ready to fight off Timothy the bull. Ellen stands behind her, hiding in a bush.

This illustration, appearing on page 388b of the [1899] George Routledge and Sons edition, depicts Aunt Fortune holding a bean pole as she chases her bull, Timothy. She stands among several waist-high bushes as Ellen watches her from behind the plants. Aunt Fortune is dressed in a yellow and brown dress and leans forward as if to charge toward the bull. There is a caption below the illustration from page 389 which reads, "Miss Fortune, however, feared the face of neither man nor beast. She pulled up a bean pole and made such a show of fight, that Timothy, after look at her a little, fairly turned tail."

This illustration, appearing on page 98b of the [1899] George Routledge and Sons reprint, depicts Ellen attempting to wash at a spout behind her Aunt Fortune's home. Ellen leans over a trough, unsuccessfully attempting to catch water in her hands. A barn stands behind Ellen as several white birds circle above it, and her bright red dress stands out against the lush green hills and trees that extend into the background behind her. A caption below the illustration quotes a passage from page 90 reads, "'But what shall I do without a basin?' thought Ellen; 'I can't catch any water in my hands, it runs too fast.'" Ellen's obvious discomfort in nature is highlighted by her failed attempt to catch the water, but the openness of the hills behind her suggests an opportunity for discovery. An image of the spout first appeared in volume 1 of the 1853 George Palmer Putnam Edition (see 11CIA).

This black and white illustration, appearing on page 88a of volume 2 of the 1853 James Nisbet and Co. "New Edition" reprint, depicts Ellen and The Brownie. Ellen stands next to her horse, The Brownie, her hand on his mane, as she feeds him a handful of grass. The Brownie leans his head down to take the grass from her. The pair stand in an open field as a row of trees extends into the background of the illustration. The foreground is lined with several small ferns and flowers.

This frontispiece from the second volume of the 1853 James Nisbet, Hamilton, Adams & Co "New Edition" Reprint, is a black and white image, that has been damaged by yellowing mildew. This image depicts a scene on page 47, of Ellen receiving a letter from the letter carrier, who is on horseback. Ellen stands on a raised boulder, her hand outstretched to take the letter. There are some trees surrounding her, and the path to the farm frames the carrier.

This black and white illustration, appearing as the frontispiece to volume 1 of the 1853 James Nisbet and Co. "New Edition" reprint, depicts Ellen and Nancy at the brook. Ellen sits next to the water with her hands in her lap as Nancy stands behind Ellen looking down at her. A line of trees extends across the background of the illustration and several bushes surround Ellen and Nancy. The stillness of the two girls is contrasted by the movement of the water in the foreground of the illustration.

This illustration, appearing as the frontispiece to the 1886 James Nisbet and Co. edition, depicts Ellen seated upon a white pony named Sharp, while speaking with Alice who walks alongside. The caption beneath the illustration reads "The Pleasant Ride." Both characters are dressed in simple traveling clothes, and appear to be conversing with one another as they travel through a pastoral landscape comprised of small shrubs, rather large trees in the back ground, and a mountain in the horizon.

This 4-color wood engraving, appearing on page 118a of the 1886 James Nisbet & Co. Golden Ladder Series reprint, depicts Ellen and Nancy at the brook. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "The Charmed Spot" with a reference to page 118. The image depicts Ellen sitting thoughtfully beside a brook, while Nancy stands behind her, wearing a sullen expression. Ellen is dressed in a clean apron and wrapped in a red shawl, whereas Nancy stands in a rather dingy and wrinkled dress. This further illustrates the fundamental difference between Ellen's purity and gentleness, and Nancy's rough-and-tumble ways.

This black and white illustration, appearing as the frontispiece to the [1896] James Nisbet & Co. reprint, depicts Ellen riding Alice's horse, Sharp, as Alice walks alongside her on their way to Carra-carra. An open valley with several trees and mountains in the distance extends behind them. Ellen rides side-saddle and raises her finger as if she is speaking as Alice looks up at her. Alice's hair extends behind her as if being blown by the wind, establishing a sense of movement in the illustration. This illustration first appeared in the 1853 James Nisbet and Co. "New Edition" (see 77CIA).