Browse Items (98 total)

This black and white illustration, appearing on page 88a of volume 2 of the 1853 James Nisbet and Co. "New Edition" reprint, depicts Ellen and The Brownie. Ellen stands next to her horse, The Brownie, her hand on his mane, as she feeds him a handful of grass. The Brownie leans his head down to take the grass from her. The pair stand in an open field as a row of trees extends into the background of the illustration. The foreground is lined with several small ferns and flowers.

This black and white illustration, appearing on page 82d of volume 1 of the 1853 G. P. Putnam & Company Illustrated Edition reprint, depicts Ellen and George Marshman on the steamboat as Ellen begins her journey to her Aunt Fortune's house. In the illustration, Ellen sits on a long bench with her hands in her lap, looking down sadly at the steamboat's deck. George Marshman stands nearby, looking down at her as he leans on a cane. Small waves rise in the water next to the steamboat and two men stand near the other end of the bench, appearing to have a conversation. Ellen's hat sits at her feet and a leather chair is placed behind the bench.

This black and white illustration, appearing on page 76c of the [1879] Milner & Sowerby reprint, depicts Alice finding Ellen on the Cat's Back. A caption below the illustration describes the scene from page 76 and reads, "Alice Discovering Ellen Lying at the Mountain's-Foot." In the illustration, Ellen lies across the ground, her head resting on her arm and her eyes looking dejectedly at the grass beneath her as her hat sits close by. Alice stands behind Ellen looking down at her, her hands folded gently in front of her, wearing a long white dress and a black jacket. Her mouth is open as if she is speaking or preparing to speak. The side of the mountain, covered in ferns, rises up along the left side of the illustration as the rays of the sun break through the clouds in the background.

This illustration, appearing on page 72a of the [1910] S.W. Partridge & Co., Ltd. edition, depicts Ellen and Mr. Van Brunt riding in the ox cart on the way to Ellen's Aunt Fortune's house. Mr. Van Brunt sits in the front of the cart, holding the reigns and looking at Ellen with a gentle expression as Ellen sits, dressed in her traveling dress and bonnet, in a chair in the back of the cart. Blurred hills and trees appear in the background, and the bow of Ellen's dress appears to be blown by the wind, giving the impression of movement. A caption below the illustration quotes a sentence from page 72 and reads, "I guess this is the first time you ever rid in an ox-cart, ain't it?" This sentence provides an introduction to the dialect spoken by the Dutch Mr. Van Brunt, a rustic dialect that provides a class contrast between Mr. Van Brunt and Ellen. An illustration depicting the ox cart first appeared in the 1853 G. P. Putnam edition (see 11CIA).

This illustration, appearing on page 72a of the S.W. Partridge & Co. reprint, depicts Ellen and Mr. Van Brunt riding in the ox cart on the way to Ellen's Aunt Fortune's house. Mr. Van Brunt sits in the front of the cart, holding the reigns and looking at Ellen with a gentle expression as Ellen sits, dressed in her traveling dress and bonnet, in a chair in the back of the cart. Blurred hills and trees appear in the background, and the bow of Ellen's dress appears to be blown by the wind, giving the impression of movement. A caption below the illustration quotes a sentence from page 72 and reads, "I guess this is the first time you ever rid in an ox-cart, ain't it?" This sentence provides an introduction to the dialect spoken by the Dutch Mr. Van Brunt, a rustic dialect that provides a class contrast between Mr. Van Brunt and Ellen. An illustration depicting the ox cart first appeared in the 1853 G. P. Putnam edition (see 11CIA).

This color illustration, appearing on page 62a of the 1887 James Nisbet & Co. Golden Ladder Series reprint, depicts a ship on a rough sea. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Far From Home" with a reference to page 62. The image depicts a large ship on a dark, rough sea. The ship is heading towards a bright horizon as the sun appears to be rising.

This 4-color wood engraving, appearing on page 62a of the 1886 James Nisbet & Co. Golden Ladder Series reprint, depicts a ship on a rough sea. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Far From Home" with a reference to page 62. The image depicts a large ship crossing through a rough and foaming sea. However, the ship is heading towards a horizon of softer and brighter colors, representing a hopeful future ahead for the young passenger, Ellen Montgomery.

This black and white illustration, appearing on page 546a of the [1893] James Nisbet & Co. reprint, depicts Edinburgh from a distance. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 9WIS). The caption to the image reads "Edinburgh" with a reference to page 546. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the sky. In the front center of the image are tourists gazing upon old Edinburgh.

This 4-color wood engraving, appearing on page 546a of the 1886 James Nisbet "New Edition" Golden Ladder Series reprint, depicts Edinburgh from a distance. The illustration first appeared without color in James Nisbet's 1853 Author's Edition (see 3WIS). The caption to the image reads "Edinburgh" with a reference to page 546. The landscape captures the natural beauty of the hilly terrain, while also showing the large edifices and monuments known to that city, such as the Nelson Monument, which spires up into the pale, cloudy blue sky. In the front center of the image are tourists gazing upon old Edinburgh.

This black and white illustration, appearing on page 52c of volume 2 of the 1853 G. P. Putnam & Company "Deluxe Illustrated Edition" reprint, depicts Ellen in the woods with Mr. Van Brunt. In this illustration, Ellen sits on a rock near a tree, looking up at Mr. Van Brunt, who stands next to her. Mr. Van Brunt, wearing a brimmed hat and striped pants, clutches a walking stick to his chest as he looks down at Ellen. Ellen's hat sits near her feet and the ox cart can be seen in the background between Ellen and Mr. Van Brunt. The forest is dim and the trees appear somewhat twisted, bringing a sense of ominousness to the illustration.